Research in Film and History reserves the right to reject an article at any stage of the editing process.Research in Film and History reserves the right not to publish an already revised article. Subscription to Film & History is not required as a condition of … Articles for New Approaches section are accepted on an ongoing basis and published throughout the year. This right extends to the compression and re-organization of the original argument and/or its examples. Author Guidelines. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. Volume 44, No. 1 2020 How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy Fair Use and Copyright (“Work Made for Hire”). Film & History welcomes article-length manuscripts of 4,000-7,000 words on the following topics: The effect of historical events on films, genres, or cultural & aesthetic standards, The effect of films or film genres on historical or cultural events, The aesthetic or rhetorical construction of history itself, as rendered in film, Use of motion pictures, television, and related media in the classroom, The history, holdings, and current status of film and television archives, New or controversial ways of presenting history in film and television, Reviews of books and video/films and broadcasts addressing important themes or events. It also leads to the possibility of duplicate publication, which diminishes the distinctiveness and originality on which academic journals depend for their survival. For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for a publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes; and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and intended to be used in systematic instructional activities. Please see http://www.copyright.gov/circs/circ09.pdf (1976 Copyright Act), page 2: Who Is the Author of a Work Made for Hire? Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. Issues are published three times a year and each issue will feature 8 to 12 academic articles. No full-length articles or reviews (or significant portions thereof) may be reproduced in any digital or online format for either open-access or proprietary distribution to consumers. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Film Criticism is a peer-reviewed, online publication bringing together scholarship in the field of cinema and media studies since 1975. Considered one of the top journals in media studies, our acceptance rate is about 15 percent. To be considered for review, manuscripts should be between 8,000 … YouTube, Legacy Giving - Bequests and Gift Planning. Mission Statement The Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). If an author has written a publishable article (notes toward revision notwithstanding), the editors at Film & History believe that he or she should know this distinction–as should, perhaps, the author’s department chair, college dean, or provost. Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. Home > The Journal of American History > Submissions . These changes will be submitted to authors for approval. The journal, as first owner of the copyright, retains exclusive rights to publication of the edited/published manuscript thereafter. Film and book titles in your manuscript should be italicized rather than underlined. The best contemporary scholarship is represented. • APC-free Policy Twitter Film-Philosophy is interested in the ways in which films develop and contribute to philosophical discussion. Submission Guidelines — Federal History Manuscripts can be submitted electronically in Microsoft Word to the journal editors at federalhistory@gmail.com.They should contain the author’s name at the top of the first page only, as they will be sent to reviewers. Research in Film and History is an open-access journal which means that all content is freely available without charge to the users or their institution. List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 Journal of American Studies seeks to critique and interrogate the notion of "America", pursuing this through international perspectives on the history, literature, politics and culture of the United States. On the basis of the reviews, the editors then make a decision on whether to accept without any changes, accept after minor revision, accept after major revision, send for a second peer review after major revision, or reject an article. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. We welcome submissions on film, television, radio, sound, and digital media. Manuscripts undergo two stages of peer review, requiring 6-9 months. After any requested corrections have been carried out, the article will be copyedited, paying attention to accuracy, formatting, and language consistency. Collegial Support of the Journal. Submission Guidelines. Search in: This Journal Anywhere Advanced search Film & History, which is a non-profit, peer-reviewed journal affiliated with the American Historical Association and published continuously since 1971, is published twice each year, in the summer and the winter. Article features include film and related media, problems of education in these fields, and the function of film and video in … Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. Le Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques est la principale revue universitaire canadienne d'études cinématographiques évaluée par les pairs. Film-Philosophy is an international, open access and peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.. Film-Philosophy considers articles on any subject relating to film and philosophy. If deemed publishable for our journal, the manuscript is then forwarded to the second stage, a longer review, which measures the manuscript more deeply against current scholarship in the field. Subscription to Film & History is not required as a condition of submission or of publication. (We do, of course, encourage contributors to support the journal through a subscription and through participation in our annual conferences.). The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. We welcome new submissions. All articles are distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. • Style Guide for Authors Research in Film and History welcomes contributions written in English. Feedback will be provided to the author and, if considered necessary, suggestions and corrections will be given using Word’s Track Changes feature. Decisions about argument also represent a compromise whenever matters of clarity, accuracy, evidence, organization, logical flow, or any other matters related to efficacy are involved. Facebook We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. • Submission Process FQ PRINT EDITION SUBMISSION GUIDELINES FQ welcomes both established scholars and fresh voices that bring new perspectives to bear on discourses of visual representation rooted in issues of diversity, race, lived experience, gender, sexuality, and transnationalism. While no major alterations will be carried out without the author’s consent, the editors reserve the right to make minor editorial changes to any format, punctuation, grammar, or spelling errors. Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. Please indicate in the form where images/video/audio clips should appear in the text. Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Film & History has been in publication for over fifty (50) years and is described in detail at its website:its web site: www.filmandhistory.org. Description: The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Publishers are insulated in this way from charges of arbitrariness. The journal will accept manuscripts in MLA, APA, or Chicago style if this format is used in your scholarly discipline. Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. Because of scheduling constraints, a contributor must reply to F&H within 10 business days after transmission of the edited manuscript; otherwise, it will progress, at the editor’s discretion, toward publication in its edited form. Please consider the following Style Guide for Authors. Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. Author Details: Do not list your name or institutional affiliation on the manuscript itself. short biography (100–150 words) where you can include your recent publications and current projects (please find examples here: keywords that include: up to six general keywords, up to three film titles, and up to three names that are central for your article. Bright Lights began life as a nominally quarterly print publication in 1974, published and edited by Gary Morris. All material to be considered for publication in History Workshop Journal should be submitted in electronic form via the journal’s new online submission system. Please submit abstracts (max. As a result, however, some rejected manuscripts are never affirmed when they should have been. 300 words) in MS Word file formats to film-history[AT]uni-bremen.de Instagram (We do not automatically transmit reviews to authors whose manuscripts have been rejected.). Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. To guarantee long-term preservation, Research in Film and History deposits the articles in the open access repository for academic publications in the field of film and media studies media/rep/, in the archive of the State and University Library Bremen and the German National Library. Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. Questions about submissions may be directed to the editor: Loren PQ Baybrook, Editor, Film & HistoryLawrence University, Memorial Hall B5711 E. Boldt WayAppleton, WI 54911USA. By accepting publication, a contributor expressly agrees that his or her published work shall be considered a work made for hire; acceptance constitutes “a written agreement between the parties[,] specifying that the work is a work made for hire” by an “independent contractor.” Please see part 2 of the statutory definition (available at http://www.copyright.gov/circs/circ09.pdf) : Section 101 of the copyright law defines a “work made for hire” as, (1) a work prepared by an employee within the scope of his or her employment or. This journal considers motion pictures under the following rubrics: 1. The author of any contribution to Film & History is entitled to reproduce his or her own work for use in the classroom, for inclusion in his or her own book, or for distribution within the author’s institution of employment. Prospective contributors to Film & History are urged to read this page carefully. We strive to make the author’s argument as effective as possible. Articles offered for publication should be sent as an email attachment to editor@filmandhistory.org and one hard copy mailed mailed to the editor: After the initial submission, all further correspondence and transmissions of manuscripts will take place electronically. Films which interpret history; 2. Submission of work for potential publication in the journal will be taken as evidence of the author’s awareness, understanding, and acceptance of the policies outlined here. In 1995, the magazine went online exclusively as brightlightsfilm.com. As sole copyright owner of the material it publishes, Film & History does not grant electronic distribution rights outside the domain of its official electronic distributors. Each submitted text that is deemed eligible for publication is sent for double blind peer review to external reviewers, experts in a particular field or subject. The Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques is Canada's leading academic peer-reviewed film journal.CJFS / RCÉC has published bi-annually since its launch in 1990.. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. In an era when academic and popular conceptions of history are increasingly presentist in focus, a situation reflected in the preponderance of submissions to the AHR on the nineteenth and twentieth centuries, we especially seek manuscripts in ancient, medieval, and early modern history. We prefer to keep the process open to the best scholarship. Many publishers prefer not to say that a manuscript is “publishable” if it has been rejected; they note its virtues but then emphasize its limitations, leaving an author to believe that the work had not reached a certain level of quality. To submit a new manuscript, go to the 'Author Centre', choose 'Submit a Manuscript', and then follow the on-screen instructions. Who Is the Owner of the Copyright in a Work Made for Hire? Research in Film and History respects intellectual property. The Journal is also accepting outside submissions so we also encourage authors to consider submitting an article to the journal even if they did not present it at the annual meeting. You should prepare your manuscript according to the instructions below, and submit your manuscript online by clicking here. Articles submitted for the publication are checked with the PlagScan software. Portions may be used within scholarly writing, but the re-publication or online posting of content from Film & History, even for noncommercial purposes, is a copyright violation and a theft of the journal’s means of operation. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. Film Quarterly > Film Quarterly , a journal devoted to the study of film, television, and visual media, publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. (2) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire. Film History publishes original research on the international history of cinema, broadly and inclusively understood. Film & History does not, therefore, accept submissions of articles that are under consideration by other journals. Film & History reserves its designation as “author” primarily for copyright purposes; otherwise, work made for hire is attributed to the individual contributor. The screening report is a feasibility assessment; it calculates both the degree of editing a manuscript would require and the value our readers would derive from the edited version. All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. A work may be indexed or deposited, but it may not be made available to the public except in printed form or through our online distributors. Films which reflect history; We strongly encourage participants of the annual meeting of the WSFH to submit revised versions of their papers for publication in The Journal of the Western Society for French History. Submissions. After either the first or second stage of peer-reviewing, an author whose submission has been rejected may ask to receive the information–typically condensed and transferred to e-mail–from the reviewing report(s). The journal was renamed (from Cinema Journal) in October 2018.. JCMS ’s basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. Please read the full text of the Creative Commons Licensing Statement here. If any dispute should arise after publication, an author may, with editorial consent, publish limited correction(s), or the author may request a retraction of his or her name from the article (see “Fair Use,” next section). Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The journal offers an international platform for cutting-edge debate, new approaches, and interdisciplinary perspectives on the intersection between the two disciplines film … Otherwise, upon receipt of a submission, Film & History retains the right of publication, by which any submitted manuscript, after acceptance and editing (see “Peer Reviewing and Replies to the Author”), may be printed in the journal (including its electronic format), at the discretion of the editor, to satisfy the publication needs for a scheduled topic or issue. A LITTLE HISTORY. If the journal receives a request from an author of a Film & History article (or review) for print re-publication in a new work by that author (e.g., in a book-length compilation), we typically grant the request, although we ask that publisher representing the author contribute an institutional subscription ($90) as a courtesy. Description. This is in accordance with the BOAI (Budapest Open Access Initiative) definition of open access. • Contact. All submitted articles should be original work and must not be under consideration by other publications. • Archiving Policy If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. You move from one step to the next by clicking on the 'Next' button on each screen or back to the previous screen by clicking on the 'Previous' button. We lean, of course, toward our authors’ choices in most cases, but we reserve the right to edit any submission for greater economy of expression and elegance of language. • Plagiarism Policy Contributions come from all parts of the world. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy Browse the list of issues and latest articles from Historical Journal of Film, Radio and Television. The Journal does not accept unsolicited reviews. For themed issues, please check our News section to read announcements about open calls for articles. Authors should follow the guidelines below before submitting their article, book review, or dissertation abstract. If you have any questions about this, please contact Marybeth Hamilton, Administrative Editor, at historyworkshopjournal@gmail.com. Submitting an article to multiple journals simultaneously leads editors (and peer reviewers) to commit scarce resources of time and energy to papers that may be withdrawn because of acceptance elsewhere. , accept submissions of articles that require it, the abstract should not exceed words. This journal considers motion pictures under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 international License two forms rejection. To read this page carefully sub-title ) bring timely critical and intersectional approaches to criticism analyses. 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