Tops Lyrics: 5. That said, gun to the head, we’re taking Faithfull’s haunting version (also featuring Cooder and Nitzsche) over the Stones’. Perhaps it’s a cautionary song about spending your whole life waiting rather than seeking. Okay, Ed Sullivan didn’t see it that way (the band performed the song as “Let’s Spend Some Time Together” on his show in 1967, replete with eye-rolling from Jagger), but the song is so timid in its deployment of double entendres (compared to previous Stones hits of that era) that you wonder what the fuss was about. It’s a masterful composition. They weren’t (and they eventually paid out to his estate), but, to their credit, they made “Love in Vain” their own with an adventurous arrangement that includes Keith on slide guitar and Ry Cooder working wonders with the mandolin. The track keeps building in intensity until the horns kick in and the revelries are renewed. The special sauce here is Clydie King, Venetta Fields and Sherile Matthews; the Stones could strike a honky-tonk vibe here and there, but this is essentially the mission statement for the album. So if you're looking to single out their fifty greatest songs, you have a lot to choose from. This was right at the moment he began to drift away from the band and into addiction; he was a key component to their sound, and then he was gone. “Send me dead flowers by the U.S. Mail.” Not a problem nowadays! The lick-trading chemistry between Keith and Wood is effervescent, but never overwhelms the laidback vibe. The Stones recorded it a year later and performed it during a set for “The Ed Sullivan Show”. "Please retry" Amazon Music Unlimited: Price New from Used fro… Grrr! Sympathy For The Devil’ Legend has it that Jagger & co. were in the middle of this brooding, satanic … GRRR! This was the B-side to “Let’s Spend the Night Together”, and there’s quite the dispute as to who really wrote it. The Stones quickly learned that the music industry waits for no one when their label started hounding them for a follow-up to “(I Can’t Get No) Satisfaction”. Released on 9 November 2012 in Europe, and the rest of the world on 12 November, it commemorates the band's 50th anniversary. Pet Sounds (1966) by The Beach Boys / 3. Who kicks off a rock song about “street fighting” with an acoustic guitar, then segues into a chorus with sitar? Pepper’s Lonely Hearts Club Band”, Mick and the gang undertook “Their Satanic Majesties Request”, which didn’t have anywhere near the same impact. The Rolling Stones weren't bigger than The Beatles in their prime, but they were certainly badder. This is mostly a Keith composition, but Mick sings it like it’s his. Always free! Was: Previous Price $40.59. This is the closing song on the uneven “Goats Head Soup”, and it’s an old-fashioned Stones rocker that only works in uncensored form (“You’re a starfu**er”). Odds are that at least one of Jagger’s kids is on antidepressants. They brought it back for their 2006 tour, but Mick’s upper register was shot by this point; the studio recording is aces, though, and deserves a bigger following. A last-call ballad for the ages, this single off the underrated “Black and Blue” finds a troubled Jagger looking for comfort from lovers and friends, all of whom tell him he’s a “fool to cry”. Honk - Rolling Stones The 2 CD Set Sealed ! This is one of those Stones songs where you wonder if the uber-talented artist they were jamming with at the time doesn’t deserve a songwriting credit – because you can absolutely hear Gram Parsons on this song even if he didn’t play on the studio recording. It’s an artistic failure, but there are a few great songs on it, including this wildly expansive track that lets Brian Jones show off his musical versatility. Rolling Stone’s definitive list of the 500 greatest songs of all time. 4.7 out of 5 stars 164 ratings. A great song doesn’t attempt to be anything — it just is. If you’ve ever been to a Stones show before, you know that nothing gets the crowd going like Keith stepping up to the microphone to blast out “Happy”. Street Fighting Man Lyrics: 9. The penultimate track on “Exile on Main Street” opens with a brief eulogy for Brian Jones (“Saw you stretched out in room ten-oh-nine/With a smile on your face and a tear right in your eye”), and turns into a gospel-tinged farewell to a tortured friend. As a song about interracial sex, it’s awfully primitive. Brown Sugar Lyrics: 8. “Heartbreakers/With your .44/I want to tear your world apart.” That’s the good stuff, Mick. This countrified rocker, with its casual allusions to heroin use, makes giving up sound like a party. New ! Sign up for our newsletter. That tinny guitar lick provides a slightly off-key prelude to the unique pleasure of listening to Keith Richards sing. © Copyright 2021 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. This one’s a journey. Whether in response to the (then) recently released “Dirty Harry” or urban police brutality in general, this is a track that is crazy relevant today. This is the Stones’ brand of sentiment. This latter discussion died with the advent of the compact disc, but when we were all spinning vinyl, this was an important sequencing conversation – and it was hard to top flipping over “Let It Bleed” to find “Midnight Rambler” waiting for you on the other side. This is The Rolling Stones at their hybrid best. “I am just living to be lying by your side/But I’m just a moonlight mile down the road.” This lovely ballad about the enervating experience of touring is a lyric tour-de-force for Jagger. View credits, reviews, tracks and shop for the 1977 Vinyl release of Greatest Hits Vol. Though it just missed hitting the top of the Billboard Hot 100 upon initial release, if you ask a rando to name a Rolling Stones song that isn’t “Satisfaction”, they’ll probably say “Jumpin’ Jack Flash”. First off, it’s a better song. 7 on the UK chart and was a strong seller over the years. Bill Wyman’s ambling bass line gives the song its half-crocked charm. This track changed lives. This is the kind of experimentation that would lead the band astray throughout much of the next decade, but it’s pretty hard to miss with this A-plus personnel. It … The Complete Works: Ranking All 374 Rolling Stones Songs An honest look at the world’s greatest rock-and-roll band. Radio DJs loved to play this track into the fade so listeners heard at least one refrain of “You make a dead man come.”. When I’m writing a song that I know is going to work, it’s a feeling of euphoria. Another classic off the alleged disaster that is “Goats Head Soup”. “What a beautiful buzz.” The perfect song to throw on at 3 AM, when the party’s threatening to wind down and you want to keep it going ‘til the break of dawn. Producers: The … Having studied both cues recently, I’m going to be lenient and say there’s not a wrong choice. Sgt. The highest praise you can offer “Rocks Off” is that you can’t listen to this track and not want to hear the rest of “Exile”. They were incorrigible. Purists will stick with the band’s 1966 “Aftermath” recording, which allows Brian Jones’s marimbas and Ian Stewart’s Hammond organ to pop, but the orchestral version nudges the tone from bittersweet to almost tragic. The Stones ‘ greatest Motown-style rave-up is about turning down an ex-lover (or “poor discarded baby”) who wants to get back together. Every “good girl” on the planet fell hard for that delectably nasty Mick Jagger via this seductive track in which a bad, bad boy warns/dares a young woman of means to keep her distance. The first two versions are terrific, but they don’t have Ian Stewart’s Vox Continental organ drifting under Keith Richards’s opening guitar lick. This sounds like an outtake from the “Let It Bleed” or “Sticky Fingers”, which could be due to the session band (Ronnie Wood on the twelve-string, Willie Weeks on bass, Kenney Jones on drums and David Bowie providing background vocals) letting it all hang out on a one-time gig. Aside from Simon Kirke on congas, this is the just the five Stones in a deep, loosey-goosey groove. Possibly the first rock song to tackle valium addiction, “Mother’s Little Helper” can be interpreted as sympathetic to the housewife’s plight or sarcastically pointing up the prevalence of substance abuse in the very households that, at the time, were excoriating the corruptive influence of the Stones’ music. "(I Can't Get No) Satisfaction" (1965) "(I Can't Get No) Satisfaction)" is considered by most observers … No dwelling allowed. They were the punk kids who slipped through the upstairs window at night with a bottle of booze and a pack of cigarettes. It’s a song about you-know-what, and it’s also, for people who aren’t hugely gifted in the singing department, a fairly easy song to nail at karaoke. $5.50. The other great song from the Stones’ middling foray into psychedelia, “She’s a Rainbow” benefits greatly from a lovely string arrangement by Led Zeppelin bassist John Paul Jones. The tempo shift three minutes in takes this track to a completely different, funkier level. Discover more music, concerts, videos, and pictures … It was written for Jones while he was still alive, but completed after he was gone. This is also the last song Meredith Hunter heard in his too-short life. It did the trick (the song hit number one on the Billboard charts), but it really does sound like a talented band buying time. Their stripped down recording – it’s just Mick, Keith on a twelve-string and a baroque string arrangement by Mike Leander – is the kind of track kids in the ‘60s would play for their parents to prove rock-and-roll wasn’t noise. See all 12 formats and editions Hide other formats and editions. We always talk about great side one/track ones, but what about the best side two/track ones. This classic is every bit as dark and despondent as the title indicates. The boys at their bratty best. Hal Ashby used the “Aftermath” track for the opening of “Coming Home”, while Quentin Tarantino scored Los Angeles coming to neon life in the third act of “Once Upon a Time in Hollywood”. alltime, Aretha Franklin, Beastie Boys, Beck, Bruce Springsteen, Green Day, Jimi Hendrix, John Lennon, Paul McCartney, Radiohead, Rihanna, The Beatles, The Rolling Stones, The Strokes. The Rolling Stones - The Rolling Stones Greatest Hits Album Lyrics; 1. According to Keith, like so much inspiration, it just “came out flying.” “I just found the tuning and the riff and started to swing it and Charlie picked up on it just like that, and we're thinking, hey, this is some groove.” The song’s middle section picks up with congas from Rocky Dijon and additional percussion courtesy of Jimmy Miller, but the real muscle comes from Billy Preston on the organ and Bobby Keys tearing it up on the saxophone. CJ McCollum out at least one week with foot injury, Blue Jackets coach John Tortorella denies benching disgruntled Pierre-Luc Dubois, The 'Most career postseason passing yards' quiz, John Tortorella denies benching Pierre-Luc Dubois. She’s So Cold Lyrics: 10. With early tracks such Walking The Dog (chosen by Ian Anderson), classic hits like Jumpin’ Jack Flash (Alice In Chains ’ William DuVall) or later-period belters such as Start Me Up (Marillion ’s Steve Hogarth), the stars’ choices confirm one thing: that the Rolling Stones really are the Greatest Rock’n’Roll Band In The World. Under My Thumb Lyrics: 6. This fairly vague and innocuous song about yearning turns into something special when the bridge hits. One of my 3 favorite songs of The Rolling Stones, with Satisfaction and Paint It Black. It’s a bad boy’s dream, and it rarely plays out the way the narrator of this song thinks it will. The Rolling Stones wrap up Let It Bleed with a chance at redemption, arguably the greatest album closer of all time. It’s one of Keith’s best guitar riffs, and – between Wyman’s vibraphones, Hopkins’s and Jimmy Miller’s tambourine – a feast of instrumentation that never feels egregious. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work. The party must go on. The title provoked charges of Satanism, and Jagger’s first-person performance as Mephistopheles encouraged these surface readings, but it’s pure mischief. As is the case with most Stones songs of that era, Jones was the special sauce (in this case, he played the recorder). Though The Valentinos’ take has a little more bounce to the ounce, the young Stones tear through the song with wild, blue-eyed abandon. Send us a tip using our anonymous form. I don't have any issues with the packaging, it's the typical BluRay case with a booklet with a small amount of info about each track. This track might’ve saved the band. An in-the-pocket jam from that magical “Some Girls” session, “Beast of Burden” is the epitome of the Stones ‘70s sound. The song lost its power to shock long ago, but imagine throwing on “Beggars Banquet” in 1968 and hearing this a month after Nixon was elected president. Another gem off “Some Girls”. Revolver (1966) by The Beatles / 4. Jagger spills out his pain on the electric piano, and Keith’s guitar wails along with him. While The Beatles were hitting new heights (and highs) with “Revolver” and “Sgt. The Rolling Stones ‎– Greatest Hits Label: Polydor ‎– 4607147922668, Universal Music Group ‎– 4607147922668, Rolling Stones Records ‎– 4607147922668, ABKCO ‎– 4607147922668 is a greatest hits album by The Rolling Stones. And a quick gender switch turns this into a feminist or a gay anthem. It seems to be a very personal song for Keith (who was writing about his girlfriend at the time), but Marianne Faithfull claims it was a collaboration between her and Brian Jones. It’s the poet’s version of “Turn the Page”. R&B singer Irma Thomas dropped the first version with full lyrics in August 1964, but that version was quickly overshadowed by the Stones’ cover a month later. - Order by Phone 1-800-336-4627 Get Off of My Cloud Lyrics: 7. When those cymbals crash and Jagger slides in with vocals and harmonica… it’s heavenly. This song has calm music, makes you happy when you're listening it. The Rolling Stones, 'Miss You' Writers: Mick Jagger, Keith Richards. This was released as a single in between “Let It Bleed” and “Sticky Fingers”. Again, the Stones weren’t big on sentiment; they spit in the face of the reaper and keep on rollin’. It even snagged the second-place spot in Rolling Stone’s 500 Greatest Songs of All Time list in 2011. As soon as you start, you get that magic feeling, an extra feeling. Greatest Hits 1962-2012 (5-LP Boxset + 36 Page Booklet) by The Rolling Stones - Vinyl LP (2012) for $145.95 from OLDIES.com Pop / Rock Rolling Stone : 4.5 stars out of 5 -- '[T]he best and most comprehensive collection of the band's high points available.' Longtime associate Ian Stewart makes a welcome return to the keys, and the band lets it all hang out in classic Stones fashion. Jagger’s not playing coy on this track. The Stones were avid fans of 1930s blues guitarist Robert Johnson, who’s now renowned as the most influential Delta blues musician of his era. The long-running joke about Keith’s whiskey-and-cigarettes-scorched voice is that he can sing melody and harmony at the same time. These are the best Songs in the World. According to Rolling Stone, this is the second greatest rock song of all time (behind Bob Dylan’s “Like a Rolling Stone”, which is so effing twee). “I want a song with brick walls around it, high windows and no sex.” This was Stones’ manager Andrew Loog Oldham’s exhortation to Mick and Keith in 1964, and the result was this bittersweet ditty that became a hit in the UK for Marianne Faithfull. This is a daunting task, but like a classic Stones track, it builds to a righteous conclusion. “And though she’s not really ill…” has always been the tell for me, but, over fifty years later, we understand that anxiety is an affliction that does not discriminate. The Stones scored their first number one hit in the UK with this cover of The Valentinos’ (aka the Womack brothers’) jump blues throwback that, shockingly, failed to get a great deal of radio play on white pop stations. Released in early 2013 for no strong reason -- it loosely ties into the Stones' 50th anniversary bash, begun in the holiday season of 2012 and extending into the entirety of 2013 -- The Very Best of the Rolling Stones 1964-1971 is a good collection of 16 basics from the '60s and early-'70s Stones. Rolled Gold: The Very Best of the Rolling Stones is a compilation album by The Rolling Stones released without the band's authorisation by its former label Decca Records in 1975. It’s pretty standard balladry, but there are some uncommon flourishes (particularly that ghost vocal track) that set it apart. “Making love and breaking hearts/It is a game for youth.” Jagger was shacking up with Jerry Hall at the time, and the record shows that he was not faithful to her thereafter, but it’s a touching moment of clarity nonetheless. That’s soul chanteuse Merry Clayton belting out “Rape, murder, it’s just a shot away” over the chorus. The Rolling Stones are Rock 'n' Roll legends-- released to coincide with the band's 50th Anniversary, Grrrr!Greatest Hits is an excellent overview of The Rolling Stones' entire career beginning with their first single, a cover of Chuck Berry's "Come On," and culminating with two tracks recorded especially for this collection: "Doom And Gloom" and "One More Shot". The best song about a lads’ sleepover party ever! Stephen Jackson: Kyrie Irving bought home for George Floyd's family, Antonio Brown undergoing MRI on injured knee, Geno Auriemma: Most players against COVID-19 shutdown, NBA postpones Wednesday’s Wizards-Hornets game, Patrick Mahomes still in concussion protocol. “Undercover” is a baffling, overproduced album, but to the Stones’ credit they weren’t emulating anyone near as anybody could tell. It’s an older song in their discography than many people realize; the band recorded it in 1968 as a back-to-basics rocker in response to their fan base’s displeasure with the ’67 LP, “Their Satanic Majesties Request”. When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. The lyrics describe a funeral procession for someone close to Jagger (“I see a line of cars and they’re all painted black/With flowers and my love, both never to come back”), but there appears to be no specific, real-life inspiration for the song – which is amazing because it’s hard to think of a song more direct and shattering in expressing grief. Most of the songs on this list come from the 1960s and '70s, but they recorded plenty of essential music throughout the 1980s (and the occasional knockout in the 1990s). The greatest side one/track one of all time. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. We can do this whenever we please. Billy Preston rips this sucker open with a clavinet riff that means business, and Jagger roars with socially conscious outrage about the NYPD murdering a young man. Inauguration Day 2021: How to Watch Joe Biden's Presidential Inauguration Online, New Radicals to Reunite for First Time in 22 Years for Biden Inauguration Parade, We’re All Missing the Point of the Armie Hammer Cannibalism Scandal, Jason ‘Rowdy’ Cope, Guitarist for the Steel Woods, Dead at 42, Best Music 2020: Join Waxahatchee in Conversation With Rolling Stone, 500 Greatest Albums Podcast: How Missy Elliott and Timbaland Showed Us Hip-Hop’s Future with ‘Supa Dupa Fly’, Kylie Minogue Taps Dua Lipa for ‘Real Groove’ Remix. A little outside inspiration never hurt. You can’t fault the band for stretching on the mixed-bag LPs in between “Exile” and this, but it sure is nice to have the boys (Jagger, Richards, Wood, Wyman and Watts) doing what they do better than any band in rock-and-roll history. Only The Rolling Stones would release a virtually unplayable single with a B-side that should’ve been the A-side. The Stones at their peak with songwriting help from Marianne Faithfull (who recorded the tune first), slide guitar from Ry Cooder and ivory thumpin’ from Jack Nitzsche. The Stones let it get a little epic with Paul Buckmaster strings, but they resist the orchestral bombast to which David Bowie or Elton John would’ve gleefully succumbed. One reading of the lyrics suggests that Jagger’s “character” has carnal knowledge of the young woman’s “heiress” mother. It’s a shallow song all told, but it’s become a signature song for the band. I love this song. The Stones flirted with psychedelia like the rest of their ‘60s peers, but it just wasn’t their bag. It transcends time. Jagger mostly collaborated with Leon Russell on the writing (and his influence is massively apparent), but the credit is still split with Richards. There’s a heavy Gram Parsons influence here, and the weight of Altamont is present. $12.97. This was the Stones’ first top ten hit in the U.S. A killer side one/track one that is, unfortunately, a lyrical nightmare. This was their response, a petulantly surreal (“I live in an apartment on the ninety-ninth floor of my block”) companion piece to the advertising-averse hit that made them international recording sensations. The “Stripped” recording from 1995 (with a much tidier Darryl Jones on bass) is a cleaned-up country track; it’s a great performance, but it lacks the addled magic of the “Exile” take (which closes out Rian Johnson’s superb “Knives Out”). Don’t call it a comeback. But did you know it was almost recorded as a reggae song? https://www.listchallenges.com/rolling-stone-magazines-500-greatest-songs-of Think of “Bohemian Rhapsody,” by Queen. https://www.billboard.com/music/the-rolling-stones/chart-history/HSI/2 Another classic Stones track with two distinctly different versions. Jagger’s point is that humanity has reliably done the devil’s work throughout the millennia, and, well, look at where we are in 2020. 30 tracks (106:06). Listen free to The Rolling Stones – 30 Greatest Hits (Not Fade Away, Tell Me and more). The greatest side one/track one of all time. There are some superb covers out there from Otis Redding, The Residents and, the best of all, Devo, but there’s no topping the original. Fans consider this concert to be one of the best ever by the Stones. The original “Exile on Main Street” track is sprinkled with… whatever dust made that historic session go. 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